Roman Photo

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Boris Charmatz on Roman Photo:

“In Merce Cunningham: Fifty Years, all Cunningham is included: pictures from every piece, and Merce is portrayed from the age of five… when I read this book, it came to my mind that the collection of the pictures was not only about nearly all the projects that he did until now, but formed a choreography in itself close to Cunningham’s processes to create dance: dance happens in between the postures, between two positions, and I guess we could invent a piece from this score of pictures, performed from beginning to end. On the one hand it would be a purely “fake Cunningham” piece, but on the other hand, I think if we succeed that it could become a real one, a real Cunningham piece, a Meta-Cunningham event with a glimpse of his entire life and work…

I consider this experience as an integral part of our research, of our specific interest for the issue of archive, history and scores, which could meet here its tumultuous dimension: the entire history of a life’s work become book, transformed in its turn into a performance elaborated by a handful of dancers.”

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